Images:
Background image 1. Russian Doll (2019) [Screenshot] Available at: https://www.netflix.com.
Image 1. Russian Doll (2019) [Screenshot] Available at: https://www.netflix.com.
Image 2. 12 Steps of the Hero’s Journey, StoryFlint [Image] Available at: https://www.storyflint.com/blog/heros-journey-christopher-vogler
Image 3, 4, 5, 6, 7, & 8. Russian Doll (2019) [Screenshot] Available at: https://www.netflix.com.
Videos:
Vid 1, 2, 3, & 4. “The Great Escape” Russian Doll (2019). Season 1, Episode 2. Netflix. Available at: https://www.netflix.com.
Vid 5 & 6. “The Way Out” Russian Doll (2019). Season 1, episode 7. Netflix. Available at: https://www.netflix.com.
References:
Hodgin, N. and Thakkar, A. (2017) ‘Introduction: Trauma Studies, Film and the Scar Motif’, Springer eBooks, pp. 7. Available at: https://doi.org/10.1007/978-3-319-41024-1_1.
Quinlivan, D. (2014) ‘Film, healing and the body in crisis: a twenty-first century aesthetics of hope and reparation’, Screen, 55(1), pp. 103–117. Available at: https://doi.org/10.1093/screen/hjt053.
Hazen, M. (2020) ‘Exploring narrative complexity in Outer Wilds: A textual analysis on how user agency and a time-loop influence the narrative complexity’, BA. Thesis. Utrecht University. Available at: https://studenttheses.uu.nl/handle/20.500.12932/865
Cabeen, C. (2023) ‘Trauma Responses in Social Choreography: Accessing Agency and Opportunities for Healing through Mindful Embodiment’, Arts, 13(1), pp. 4–4. Available at: https://doi.org/10.3390/arts13010004.
Graßl, K. (2018) The representation of drugs in movies: narrative and social functions. Thesis. Available at: https://unipub.uni-graz.at/obvugrhs/2878997.
van der Kolk, B. (2014) The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma. London: Penguin Books.